rekha umrao jaan

In this special series, we re-visit great Hindi film classics. And Umrao Jaan seemed like an obvious story for me to express that feeling. Stifled by her controlled existence and the suffocating kotha, Umrao wants out and adventurous Faiz Babbar is characteristically nervous but, thankfully, doesn’t get too much screen time provides the perfect exit. Umrao Jaan is a Indian art film directed by Muzaffar Ali and starring Rekha as the eponymous character. Ustad Ghulam Mustafa Khan.

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Rekha’s breathtaking perfection in and as Umrao Jaan – Movies

Umrao’s party of refugees stops in a small village, which Umrao recognizes as Faizabad. While the politics of gender bias and social prejudices pops it revolting head quite frequently, there’s also a hint of progress through Dina Pathak’s ardent relationship with her lifetime companion Jagirdar even though they never entered matrimony. Unfortunately, Nawab doesn’t have the courage to stand against his parents though divorced and gives in to his mother’s demands and marries a girl of her choice.

A grand exterior can only wow momentarily but where Umrao Jaan succeeds is digging deep inside the tradition of discrimination, its impact on an impressionable psyche in the face of incredibly steady unfavourable circumstances. A remake of Umrao Jaan was released on 3 November Umrao Jaan film poster. U nder the keen counsel of the father-figure like Maulvi sahib Gajanan JagirdarUmrao blossoms into a refined individual with a inherent interest for writing verse.


The music is composed by Anu Malik and the lyrics are penned by Javed Akhtar.

Both urmao naivete of her passions Kahiye toh aasman ko zameen par utaar laaye. The costumes were done by his then wife Subhashini Ali.

Views Read Edit View history. Aur awaaz, aah, shola sa lapak jaaye hai, awaaz toh dekho. Rekha speaks through her eyes, which made her my choice for Umrao Jaan: This article needs additional citations for verification. Kyun aaj uska naam mera dil dukha gaya? Abducted from her Faizabad home by the vile Dilawar Satish Shah in a rare negative role in a bid to teach her father Ali in a cameo a lesson for testifying against him in court, the recently betrothed Amiran, is sold to a Lucknow brothel owner Khanum Jaan Shaukat Kaifi while her fleeting companion in misery, another victim of human trafficking Ram Dei, is bought off by a noble household.

Umrao catches the eye of Nawab Sultan and the two fall in love, but the relationship comes to an end when Nawab reveals he must marry in order to please his family. I had the good fortune of watching Umrao Jaan on big screen, the imagery of Rekha’s glistening tears, glittering jewels and glossy red lips is locked in my memory.

Unsourced material may be challenged and removed. This page was last edited on 20 Decemberat Filmfare Award for Best Director. Umrao Jaan film. But the intricacies underneath her enchanting surface can only be appreciated with enlightenment that comes with time and experience.


Rekha speaks through her eyes, which made her my choice for Umrao Jaan: Muzaffar Ali

She has a strange soft spot for the silly Gauhar who’s done her more harm than good. Naseer, however, humanises the scoundrel as a compulsively pathetic yet inoffensive sponge. And even provide for. Despite her evolved demeanour, she is completely attuned to the kitschy surrounding of flippant concubines and her roguish, good-for-nothing childhood mate, Gauhar Mirza Naseeruddin Shah. Consistently cheated umrwo life, the murao feels throbbing vulnerability around Umrao, especially when her jsan deserving peers have it so much better.

In this special series, we re-visit great Hindi film classics. Instead of a later-day author-poetess conversation narrative, Ali breaks up Umrao’s story into a heartbreaking coming-of-age from an artless teenager to a wide-eyed romantic and gifted poetess to, ultimately, a woman who has recognised the ugliness of the real world outside her equally unpleasant kotha through her relationships with three different men.

It’s a privilege to understand such resplendent sentiment; it’s a pity to translate it. There’s so much to revel in this fondly made iaan by Ali, which begins sometime in midth century and sets most of its premise against the decadent backdrop of indulgent Nawabs and appeasing nautch girls in the imperial city of Lucknow. The actress, politician and activist reminisces to DNA newspaper how, “She was fortunate enough to know people who remembered clothes and colours and stitches of the time.